Excerpt for Before Dark, and After by Bernard Fancher, available in its entirety at Smashwords


Before Dark, and After


A Collection of Poems

by

Bernard Fancher


Smashwords Edition

Copyright 2012 by Bernard Fancher

All rights reserved


This ebook is licensed and distributed by Smashwords, and may not otherwise be disseminated without the author’s permission.



***


Table of Contents



Enclosure

First Light

Flight

Storm Warning

Dare

Walking the Dog

Arid Dream

Aural Journey

Felicity

A Field Guide to the Birds

Fox Grapes

Feeding Horses

In Praise of Existential Awareness

Full Moon Fever

Between the Lightning and the Lightning Bug

Diminuendo

Early Spring

Return

Curvature

Getting In Coal

Northern Night

Once on a Blue Moon

Moment

Our Walk, First Thing this Morning

Parting

Aftermath

Snow Moon

The Leonid Meteor Shower

Shy of Heaven

Tenuousness

Riding Blind at Night

Three Crows

I Went for a Walk

Midnight on Moss Lake

Going Home

Before Dark

Afterglow

To a Mistress



***




Enclosure



Beneath the tree where the young buck nuzzled

The ground picking green acorns out of dried leaves,

I sat in the half tire swing only moments away

From learning this place was mine, a few feet

Away from where the young deer years later stood

Entirely unaware of my ghost presence, close enough

To reach out and, if not touch, at least scare him;

I stand in the open doorway at the front of the house

In midwinter now, considering the doe

That stood entranced before my first fire, wondering

If she might be the granddame of the young buck

Come back years later like an homage, or echo.

Something always antedates something else,

Making memory or imagination or pure dreaming

The stuff of stories and poems and plays;

From the center of this same tree

Thoughts tossed blithely off return. I embrace

Them below an arc of limbs, rooted to this place.



***




First Light



What makes me think to go again

to where the field bends back from the sky—

perhaps to recover a lost conceit of myself

as a modern-day Ponce de León

visiting some part of the world for the first time?

Ten years on, a red fox lies perfectly still on its side

as if sleeping sound in the hay. The dogs rush ahead

remembering the ridge-top chance meeting with a tom

turkey coming, some years ago, the opposite way.

Shouldn’t they anticipate such a meeting again?

Admitting life is a mystery, what is to be lost

in the expectation of reliving past experience?

After a moment’s further reflection I suppose

that’s unrealistic, and instead of permitting their untamed pursuit

of presentiment, I call them back, kneeling to pet them

and so preserve the vital element of our surprise.

I remember the herd of deer discovered a dozen years ago now

gathered at first light round the still-hidden sump of a spring,

and rising, proceed slowly, consciously keeping

the dogs at my heel, climbing to what seems the top of the known world—

there to observe, just below us, the startled ghosts

of those same deer, standing still, all but frozen.

I clap my hands, once, and they disappear.



***




Flight



Fleeing

the deer flicker through trees

reversing the process of transubstantiation

going from here to gone.


Beau is halfway across the field before I see him

hell-bent to follow

shadow into darkness

becoming shadow himself

disappearing.



***




Storm Warning



These insubstantial snowflakes drifting on air

may or may not be the precursor of heavier snow.

All ready


I envision the fields full, the electric lines

laden, the tall narrow trees lining the woods

themselves lined


standing like impassive dark sentries,

the lengths of their windward sides exposed,

plastered white.


I see myself on skis first time all winter,

the dogs plowing ahead, breaking trail

on an old logging road


until in one place we step aside and listen to nothing,

hearing in stealth a silence more meaningful

than words.


I detect the dogs’ panting, my own dissipating breaths.

From a void evolves a lone squirrel’s incessant

soft clucking.


Under all, the howl of wind imposes its presence,

approaching unseen, making ready, biding its own

unmeasured time.



***




Dare



Fire deflects off shear rock

behind where I stand

before the open beyond.

Like water,

sparks fall from the precipice

or float drifting off to the sky.

By and by, I turn away

not to burn

or to drown

but to quietly sleep

in a soft crevice

of warm stone and low flame,

only dreaming a dream

of what I might do.



***




Walking the Dog



An old apple tree

is as good a place to rest

as any, its fruit

being fertile ground.


This spring,

as sap stirs

dead wood to life,

I feel only a loss


of feeling for the world.

While Macduff sniffs,

I consider Adam’s fortune

to have had God


out looking for him

rather than the other way

around. Yet, I think,

we are still caretakers


and move on, checking

empty bird boxes, prudently

tapping them first

before peering inside.


At the end of the line

leaning on a fencepost

beside a green pasture

I imagine how it would be


to live here,

but my mind is already home

so I turn, and Duff leads,

happy to know the way.



***




Arid Dream



What strange bird flies

circling the dark void of the back field?

Hemmed by woods on three sides,

compelled to revolve a black hole

in the landscape, it utters by turns

a plaintive, solitary Gaaack,

seeming to count the completion of each circle

before lapsing again into silence.

I imagine a lost seabird, maybe an albatross

(whose young lie somewhere dead, filled to bursting

with plastic scavenged doodads)

searching for its mate, perhaps thinking,

birdlike, the dark plain beneath its wings a safe harbor

it dare not touch for fear of disturbing

the dream it skirts yet distrusts to settle upon;

so continually it circles a vast field of night—

nearly frantic, it seems, and inconsolable—

waiting to hear a reply forever lodged in my throat.



***




Aural Journey



You discover yourself

risen from snow, floating

like a wisp of mist

levitating in cold moonlight

borne aloft,

propelled by disassociation,

floating diagonally

above wire-enclosed fields

barbed with the subliminal threat

of capture.

But not even trees

in the woods impede entrance, rather

your wraith presence opens

and closes around them,

and so you pass through

a dreamt realm of your own being,

being what you dream

and dream to become.



***




Felicity

for Aisha



If my love lies, then she does flatter me,

Coaxing my doubt towards certainty;

But though words are said in seeming truth,

Of her real intent I have no proof.

I wish only to see her emerald eyes,

And be assured her smile conveys no compromise.

Instead, awake, I listen through the night

To her words’ artful echo, for if they be right

Then I most surely must be wrong to doubt her love:

She is far more fair and pure than I could prove.

But if they be false, then so is she,

Yet gladly would I lie with her, in complicity.


5/4 2002



***




A Field Guide to the Birds



Scarlet tanager, indigo bunting,

green heron.

The words are jewels

to the mind, illuminating something elusive.

A cardinal steps about on a sleeping lilac

draped with Virginia creeper.

Snow lies deep in the yard, a little early for bluebirds.

I look to the dead limb stretched above the kitchen sink window,

seeing not even a flicker

of pileated woodpecker in the still embalmed trees.

An old Peterson’s field guide

reveals the persistence of desire (or obsession) for knowing

what’s what.

Is that a bob-white or bobolink

imprinted on the curled green cloth cover?

Never mind, I remind myself, recognizing it for the guide

it is, realizing everything we know belongs to chance, opportunity

and change.



***




Fox Grapes



As I go about the task of eliminating weeds from the garden,

vines like brown ropes secured to the ground

cover the condensery across the road from the barn;

they covertly make ready to issue forth green tentacles of new growth

that will curl inevitably about every part of a place I’ve given up on.

It is nearly time to till, and yet still I work on hands and knees

breaking down brittle stems of dead burdocks,

collecting their clinging and yet dispersing seed balls

in a determined attempt to stave off the next generation.


Only mid-April, but already too warm for the dogs

who lie raspily breathing in the pussy willow’s indeterminate shadow,

the weather has gone in one day from chill to prematurely subtropical.

I reach over the dog lying nearest to me,

allowing my forearm to brush his fur coat. Allowing it too,

he merely stretches a hind leg, opening and again immediately closing

his eyes. A stick-tight has grabbed hold of my skin,

clinging like a disembodied pincer, not wanting to let go.

Isn’t that the way of us all?

I ask myself the question in all sincerity, knowing

I am blessed. Looking up to see the wind pushing clouds,

I vocalize contentment and pleasure at once, practicing a frugal austerity.

I tell myself and the dogs: Even here, with each thing, we must decide

what to keep and what to discard.



***




Feeding Horses

for Vicki



After feeding the pigs,

and stopping by Mura’s for hay,

we watched the sun

set as we rode the dirt road home.


Racing darkness,

we threw bales from the pickup,

heaving them to your horses

while through the paddock door

I watched Fox Hill bathed in twilight

and imagined a fox

skirting the delineation of efflorescent field

and wood, hunting something.


If such interludes comprise eternity,

were we to live forever,

I could not ever be happier.


Yet I suspect the best we can hope

is to live as we can

until the only thing left is to die.

When that time comes

I want to be the first to go.


But if I am left,

leave me at least the image of you

standing, enclosed by a barn

open to the world, flinging hay to your horses,

chaff and hair flying, wild with wind.



***




In Praise of Existential Awareness



The rhubarb is in a state of wrinkled emergence

behind the barn and tilled garden.

A few days ago, I picked a single asparagus spear

and laid it down in the grass, for later.

This morning, I heard the happy chortling of a house wren

for the first time since late last summer.


Bees buzz within a cloud of cherry tree blossoms

in the front yard.

The bluebirds are already prolific; a clutch of four

sky blue eggs nestle deep in a cup of dead grass

behind the slanting door of the nest-box out back.


Meanwhile, a vine and weed and paper trash fire

smolders unattended in the half dug gravel pit,

sending a blue acrid plume drifting up

from behind the low north-side slope East of here.

Not that it matters. Or maybe it does.

I seem to recall the Buddha’s teaching:

everything exists behind or beyond or below something else,

and so wait for all to be revealed, at the world’s infinite leisure.



***




Full Moon Fever

for Nicole



Driving at dusk

out of Albany light

and dust, I pass by Crescent

and Half Moon, yearning

for backcountry.

Somewhere off a railroad

cul de sac

under a hillside of yuppie horse farms

in infringing darkness

I park along a solitary track

and walk up through a wildflower field

soaked with starlight

under a floating full moon

rising alone among transparent

cirrus, composing

in my circular head this incipient poem

for you my sleeping love

three hundred miles away.



***




Between the Lightning and the Lightning Bug


The difference between the right word and the almost right word

is the difference between the lightning and the lightning bug.

—Mark Twain



I perceive it before becoming entirely awake

as it bounds against the canopy, let in by a window

to flash repeatedly across the cathedral ceiling

in an apparent effort to get back out.

Each time it ignites—so successfully disguising itself

as something animate

that I wish to rise and go as well

into the outer darkness—the conviction reforms

and re-establishes the idea my mind has lit upon,

imagining a rare display of Northern Lights descending

over our lower latitude, to grace all who would see.

Thus I am enticed and ready to embrace possibility

as I exit the back door, feeling inside

attuned to the pulse of an unworldly presence.

I don’t expect God, at least not to reveal himself so blatantly,

so am not disappointed to find an aurora of restrained lightning

bucking up against clouds

lying barely an inch or two above the polar horizon.

Once, long ago, riding down an unlit back road

I encountered that very same light in miniature

where a solitary firefly

pulsing below the leaves of a low hanging branch

illuminated its place in the surrounding darkness.

Perceiving a wonderful thing then, I decide now again

to wait and watch in amazement.



***




Diminuendo



Clumped snow

streaks the window view.


The sky is gray.


Near trees stand dark

against the midrange horizon.

The falling/fallen snow

merging with dusky woods

in an indefinable distance

of hills somewhere across the creek

becomes zone by imperceptible zone

the value of pure night.



***




Early Spring



The beasts of the field are still

in their stillness. They sleep

under the thin rim of a moon,

breathing air cooled in the hills

and thin rills of dim meadows

where far distant barn windows

cast pinpricks of light across a dark valley.


Field mice and moles

hid in the nearby ravened wood

lie safe from both hovering falcon

and more decisive horned owl

which, yet being beings, are still beasts, after all.

Shall we count the spotted fawn

lying ensconced in the grass?

What of the missing doe mother?

Is ‘beast’ a damning or exculpatory word?

Perhaps ‘fox’ describes

the intention of thought more precisely,

its already shifting presence conforming to intractable space

at once both above and under a log.


Just yesterday, I found seven hairless infant

rabbits, a half dozen which fit securely

side by side in the palm of one hand.

I wish to believe they lie still

safely composed where I left them,

tucked in a furry burrow

under a bleached, split-locust fence post.

Maybe fox, coyote, or bear

deserve praise after all for conforming

our vague impressions to imprecise, prancing shadows.

In moonlight, for moons and moons

yet to come, they will persist, contained in a memory—

roused from slumber, awakened, yet carried on in a dream

of dreaming.



***




Return



It is not barking dogs I hear

but geese angling for home,

flying so far overhead

they appear as dots

in daylight.

At night, flying blind,

their soundings alone

maintain the formation,

assuring each a place in the whole,

assuring me too.



***




Curvature



A glacier

peels from the eaves

into watery windows.

Dripping sun melts what’s left.

If I look

I can see a robin’s eggshell

cracked by contrails.


Stars everywhere

reveal mostly the general homogeneity

of the universe, yet individuals

and constellations attest

to the stubborn persistence

of difference.


The Congresswoman’s slope

of recovery remains steep;

Egyptian skulls remain also at risk.

The revolution has come,

but where will it go?

Today is warm,

relatively; whenever ice falls

my skittish dogs jump.


(The photo experiment

interrupted by war to end war

shows inconstant starlight

bent towards an eclipsed sun—


now imagine

if the light couldn’t escape.)


Last night

I stood in the north doorway

looking out;

an encompassing darkness (outlining the arc

of an event horizon)

enclosed an unending Abyss

and stars in the trees.


A single star

fell through the branches—so quickly

I could barely breathe.



***




Getting In Coal



The shovel scrapes metal

to cement, scooping frosted nuggets

diamond hard in subzero air. Inside,

a fire already glows, warming the house.

I fill two buckets and stand

for a moment still as water

frozen across a pond. My breath

leaves me, clings briefly to the air

and disappears.


A tip for those who do not know:

the trick is to be in no hurry.

Coal is ice to a fire.

Poured too quickly it crackles and sizzles,

quenching the coals beneath. The trick

is to go slowly, build

on what is, like love. Be patient.

Don’t expect everything at once.

Time is on your side.

Etcetera.


I think back on my life,

girls I have known, have almost known.

My heart this morning is hard

as diamond, black as coal, cold

as ice. Yet the skin enclosing is sensitive and thin.

Another breath leaves me, clings

a moment to the frozen air.

I stomp my feet, lift two buckets

of frozen heat, and head in.



***




Northern Night



Last night the Aurora Borealis tinted the sky

with cool firelight, so tonight

I am hoping to see what I missed.

The moon, rising, is but a fingernail clipping

carrying an empty placenta elucidated by darkness.

I will walk around, go home,

perhaps even go out again up the hill before light

to stand alone in the field

where my brothers and I once powdered clay pigeons

or missed, pausing just long enough after

to hear the shot spray like hail in the woods.



***




Once on a Blue Moon

12/31/2009



Full moonlight

reveals thin lines

of trees on blue snow.

My cat sits

on the couch

at the window,

a silhouette blacker

than all outdoors.

The coal fire at my back

makes a blue flame

licking the interstices

of feeling,

but I am neither desirous

nor disheartened

knowing I am an interval

too, by turns warm

or cold, light

or shadow.



***




Moment



Deer meet

in deep woods, content

to mingle idly and ruminate

while the world fills with snow.


Brittle as rice paper,

leaves quiver on an oak tree

overhead. The deer

scratch a fragile surface, revealing

mast and lacelike leaves

not yet quite decomposed.

Purposeful, intent,

mindful of someone’s shooting

far ahead,

they pause to look up, mouths agape,

and taste the bitter air.



***




Our Walk, First Thing This Morning



We turn off the road

and go down into the field

where deer have imprinted the ground;

I feel their presence to the right,

hear the soft sibilance of hide and stiff hair

before I see them: sleek bodies, dark and half formless,

slicing through still frozen goldenrod.

Beau sees them then too, and disappears into the hillside

before I can call him back, but soon returns

to lead us again across the high ridge towards home.

I see at last a funneling grapevine

grown into dead shadow on the shed roof behind the high barn

and then the fox, standing sideways, looking startled,

a hundred paces straight ahead.

The dogs, making chase, conform to a line of three

leaving, one after the other, in ascending order of speed.

Leaving as well, last and most slowly, I follow.



***




Parting

for Tian



At the first concert we smiled to each other

and though I did not think of love,

I thought of you after. Later, in the market,

we met again, and again you asked me my age

and told me your name, beginning

my puzzlement and embarrassment.


The night following a movie I wanted to kiss you

you shyly giggled, so we parted

shaking hands instead. When I arrived the next day

on your threshold, you closed your door, asking I not linger

to listen while you practiced your violin.

Now it seems we have been parting ever since.


After our last concert we stood in the spring snow;

I watched your hair fill up with stars

and desired you stay, later regretting

I did not tell you before you decided to go.


In the days to come you will travel far from here.

I will envision you among cherry blossoms

on the Potomac, or walking in New York City.

You say you have not made up your mind

but I know you have, so even though I search all of China

I’ll likely not see you again.



***




Aftermath



The time will come

to step through the snow

going the way of the fields

and woods.

The dogs will plow

furrows to walk in

or walk behind me in mine.

Pine branches

touching the ground

might spontaneously spring

free, or be actuated

by the movements of perched crows,

all the while in stillness

for miles around

I’ll detect not a whiff

of the wind prying tonight

at the eaves.



***




Snow Moon

for Carl



Printing herringbones, I traced

our halting half-steps up through trees

and stopped where they stopped in open snow

to look afield and review the far wood

cut by the clean curve of a meadow

where, in a perfect world, either of us might build

a home, raise crops, chickens, a family.


Though I had come to see the hunger moon

and to see in the blown snow

some evidence of our passing, I found

no sign of the moon, or of our selves.


On the far side of the wood

I put aside thoughts of life’s temporality

and left my mark as best I could,

etching the snow with a memory

of the pure meadow line to my rear

before turning for town, stopping once

to watch the whole moon emerge from a field

lined with row upon row

of perfectly rendered, perfectly concentric

corn stubble.



***




The Leonid Meteor Shower

for Robbie



The sky is streaked

as in a Japanese print, raining meteors

over the prow of the barn.

Breathless, I press my nose to the kitchen window,

fogging cold glass.

A moment ago, dizzy, with the top of my head

open to the infinite vacuum above,

all I could think of was getting inside.

Now I wish I had persevered, for comfort

seems every bit the barrier to perception as observing.

Still, if Heisenberg were here to see these flitting flameouts,

to revel in each chance commingling of potential and destiny,

even he would witness with perfect clarity and wonder:

What took eons to arrange finishes in a flash.



***




Shy of Heaven



We do not commonly talk

of animals being,

not as in humans being,

or more than seldom consider

the flicker of awareness behind the eyes of a dog,

even a beloved pet,

as anything other than contentment

or appreciation of our being with them

in an ever-fleeting present.


Accepting it as a gift, their being

allows us to view our surroundings

as intimates;

the world becomes what we see in their eyes.

A leaf falls, a squirrel flips

through a canopy of trees;

we look up in rapt attention and wonder

with sudden, considerable desire.


So being, we become more than before,

still animal, yet more—

considering the chance a squirrel

might fall, but wanting to see it also continue

leaping branch to branch to branch.



***




Tenuousness

for Edith


i

Maybe

Our being is too largely illusive;

I edge to the gorge

And even then the rocks seem unreal.

Still I feel the pull of your hand

In mine

As you reach for the abyss

To pluck asters from the shale wall.


This morning the dogs and I walked in the woods.

I thought of you only

After hearing two raucous crows

Reconnoitering above. One,

Then another, still in my memory,

Skim the bare treetops,

Becoming again equal parts sky

And fog.


ii

From the gorge’s edge

The rocks below seem inviting and unreal. Still

I shudder, remembering

Your hand in mine.


I took the dogs for a walk in a misting wood.

Watching two crows skim the bare treetops,

I thought of you.


iii

Belatedly it occurs to me

The rocks seem unreal.

I overlook the gorge

As if to attempt faith

Only to recoil again from the pull

Of what argues against me.

I think of you holding my hand,

Reaching into the abyss

To pick asters from the shale wall.


iv

This morning I took the dogs for a walk.

I thought of you all the while.

Above us the raucous krruck krruck

Of two crows skimming bare treetops kept coming

Then going across an unseen, fogged-over sky.


Until their voices disappeared too.



***




Riding Blind At Night



I stay to the road by tilting my head back,

following a course revealed as though reflected

in the pale river of sky narrowly wending above this dug way.

The analog signal transmitted from fork to fingers

picked up and transferred by the front tire’s uncertain contact

with earth, allows me to feel the unseen pressed surface

hemmed in by ditches, steep banks, and overarching treetops

constricting light from the stars to a trickle.

The transition from night to pure dark makes me think

this place is a very Valley-of-Death cut into the bulk of a hill

where all manner of beast—bobcat and bear

and who knows what else—lie lurking, waiting to pounce.

And yet, apprehension turns to mild bemusement

as halfway up the hill some insubstantial critter approaches from behind

and attaches its presence to mine like a sidecar, pacing doggedly

with a multiplicative badgering patter of tiny fast feet

while I continue to churn the crank slowly

round and round, pulling so hard on the handles it is a wonder

the bicycle does not perform a back flip revolving about me

on its own as I strain to climb the steep grade.

Ever gradually, the summit gives up the advantage

and I outrace my companion to where earth and tree shadows fall away, yielding sky

and level high ground.

At last, I stand on the pedals and coast, transecting

cool hayfields, breathing thin air infused with the scent of cut grass.

Rolling towards a still undefined distance, I imagine deer in the impervious darkness

lifting their heads, curiously watching what must surely appear to them

a mere apparition of some strange, gliding beast.



***




Three Crows



On stiff stick legs

the first walks across the yard;

the second flies to the shagbark and lights

on a high hanging crooked branch;

the third, perched in a sumac

between lawn and back field,

finally launches on a single strong wing-beat,

landing with a sideways fanning flourish

amid scattering jays, squirrels,

broken nutshells.


As they regroup,

the squirrels and jays

seem somehow less than the blackness of crows—

blotting patches of green grass and snow,

making silhouettes suggestive of nothing else

but what exists, for a time, where it will.



***




I Went for a Walk



I went for a walk with the dogs

along the path at the edge of the field

looking out over the winding road

with the wind at my back before turning,

shouldering into the breeze to check on a nest-box,

lifting the slanted front to inspect for fresh interest inside.


I pull a length of old web from the oblong entrance hole

before closing the front down again, walking backwards

along a broken fence-line to appraise the far hills across the valley,

turning about in time to see Beau running, whipping

about like a limber whippet turning

on the same reversing bend taken two seconds before by the fox

he pursues, now as I, entranced by the fluid arc

of their twined horizontal tumbling/thrashing through weeds,

prolonging the moment of engagement before the fox turned away.

And here I laugh, left wondering where that fox is going,

taking both my dogs along for the exercise.


I imagine them escaped to untamed fields and woods

where in body and mind I not as certainly follow, stepping carefully

to avoid trampling May apples

going down a steep sloping bank to a muddy bottom

where imprinted paw-prints climb inexorably on

to the next hayfield, leading nowhere.

Now here, I remember the sudden near orchard whiteness

while still admiring the Indian blush of a far hillside

and turning again, a last time towards home,

discover bitten rhubarb amid a patch of shiny grass in the back yard

where the wind stroked it down.

A spruce tree standing just inside the profuse and imperfectly kempt lawn

sprouts small purple seed cones, which I move closer to see

(as well note) with an innocent intention to catalogue all

for sometime further on.



***




Midnight on Moss Lake



A scream pierced the quiet.

The moon lay flat on the sky, flatter still

on the calm water below.

Two boys camping where prohibited

built no fire, fearing discovery if not flames

in the tinder-dry needles and grass.

The scream came from a woman being murdered,

or a bobcat prowling not too far away,

each possibility a delicious affirmation of a reason to fear.

Years later, I took a young woman to the same place

to see the same moon reflecting just as flat on the water.

I related the tale of the lake as we walked

down the boardwalk, supported on a floating peat

mattress of pitcher plants, marsh marigolds, sticky sundew

and wild cranberries, both living and gone—a world decomposing

below our feet, drowning in a mire of all; eventually,

I whispered, only the bog would remain, enclosing entirely

the water’s shrinking edge. Already elsewhere

poplars grew in the sedge as though planted on solid ground.

We stopped. The still water waited as ever,

dark and depthless. No-one knew we were there—

making believable the suggestion I could

slit her belly, send her buoyant-less body sliding

off the end of the boardwalk

into a glacial pool legend claims has no bottom;

she might not resurface for five thousand years.

I would throw out the knife, hear it splash in the dark,

and that would be the end of her.

The moon reflecting in her eyes mirrored the possibility

as I tightened my grip, refusing to let go.



***




Going Home



What waits beyond

the hill in the entire

unlit land of open fields

and dark woods

is nothing other than

a place to come home to.


Deer stand frozen

alongside the road,

eyes liquid green

before the car’s passing.


The fields absorb starlight

as the woods absorb the fields,

while just beyond the far window

a light warms my door.



***




Before Dark



The moment fire took hold

the doe stopped dead in the drive

as flame turned to gold

consuming debris in her path.


She could not have foreseen

(despite tracing my prints from the road)

someone coming between

herself and this place.


Tail flicking, reluctant to pass,

she yearned to reclaim what was hers—

a last impression in grass

now filled like a grave in the snow.


I watched her watching fire,

each of us waiting, at rest,

until she turned from desire

and stepped lightly afield.


(I see her at twilight

enter the gloom of deep woods,

leaving a trace to be tracked into night

or forgotten.)



***




Afterglow



On this plot of untilled ground

we call a garden, I wait

and watch the ebbing embers.

The moon is nowhere to be found

as cold impends to penetrate

the warm aura that shelters

my limbs. To be sure,

I rake the ash-cool coals

until flames rekindle and stir,

flickering in mirroring windows

down the dark and quiet street

—all the while creepers

and crawlers teem in the soil

undisturbed beneath my feet.

Time comes to end the day’s toil

when, putting foot to hayfork,

I pitch the tines and stand at ease,

at last fulfilled with work,

and listen to a chorus of peepers

in the dark beyond the trees.



***




To A Mistress



That night

I burnt my thumb

joining headpipe to manifold.

I swore;

you said a demure

“I do that to things.”


In my drive we sat

and smoked.

You were the austere

Lady of Fate;

I accompanied.

Tendering my name

with an understanding I

had never heard before,

you spoke.

You said you weren’t a fictionist,

just poet.

Poetry we agreed on.


The porchlight behind

made you a flickering shadow

before my eyes;

you sat like Shiva

on my front fender.

I wondered at your words:

Shantih you chanted.

I watched,

mesmerized—

the mystery of your soul.


When the ghost of fire

glowed at your lips

your obsidian eyes

said, I know.


Ever since that night

I’ve been your slow apprentice;

at times it doesn’t pain.

But angry of manifold hurts

I still often burn,

and am still

much too profane.



***




The End


Thank you for reading






Alas



She was some lass, some lass she was

She was, she was, she was

When she was mine, she was my lass

My lass, she was, she was

Until no longer mine she was

Until no longer mine

Until no longer mine she was

Alas, no longer mine.



***




Begone


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